January

“Sam Falls: We Are Dust and Shadow,” at the Museum of Contemporary Art Cleveland
January 27–June 11, 2023

Sam Falls, Untitled (San Bernardino National Forest, CA) (2017-2019), pigment on canvas. Photo: courtesy of Sam Falls and 303 Gallery, New York.

A series of new paintings and sculptures highlight the first major solo museum show for Sam Falls, an artist who does work about nature with nature. Printed with plant stains and ghostly landscape images, Falls’s output can approach the sublimity of Abstract Expressionism and Color Field painting. But his art implies heavy, non-aesthetic ideas, too: the cycles of life or the toll humankind takes on the planet.

February

“Projects: Ming Smith,” at the Studio Museum in Harlem at MoMA
February 4–May 29, 2022

Ming Smith, African Burial Ground, Sacred Space, from the “Invisible Man” series (1991). Photo: courtesy of the artist. © Ming Smith.

Ming Smith has been prolifically photographing New York City since the 1970s, and 50 years into that project, curator Thelma Golden is putting a serious look into the artist’s oeuvre. Smith is the first Black woman to have a photograph acquired by the Museum of Modern Art, so it’s fitting the display takes place in that museum’s street-level galleries. 

“Coded: Art Enters the Computer Age, 1952–1982,” at the Los Angeles County Museum of Art
February 12–July 2, 2023

Sonya Rapoport, page 2 from “Anasazi Series II: (1977, detail), Los Angeles County Museum of Art. Photo: © Estate of Sonya Rapoport, © Museum Associates/LACMA.

This year, as A.I.-enabled programs like Mid journey and DALL-E-2, dominated discourses—and social media feeds—much ink was spilt pondering a supposedly not-so-distant future where algorithms replace artists. But fear not, fatalists! Artists worked harmoniously with computers long before your boyfriend changed his profile picture to an uncanny Lensa illustration. LACMA’s upcoming “Coded” exhibition explores this rich history of digital and computer-generated art, going back to the 1950s. Beep boop. 

“María Berrío: The Children’s Crusade,” at the ICA Boston
February 16–August 6, 2023

María Berro, Cavalry, (2022). Private Collection. Photo: Courtesy of the artist and Victoria Miro.

The incredible collages of Colombian-born New York-based artist María Berrío, made from torn Japanese paper and watercolours, get a museum showcase. Her series “The Children’s Crusade” draws on Medieval history, comparing the legend of children sent to the Holy Land to convert Muslims in the year 1212 to the child migrants of the 21st century, crossing international borders, often unaccompanied. Though a feeling of loss pervades the works, they are also imbued with childlike wonder and a sense of magic—some of Berrío’s figures are animal-human hybrids.

March

“Wangechi Mutu: Intertwined,” at the New Museum, New York
March 2–June 4, 2023

Wangechi Mutu, In Two Canoe (2022). Photo: © Wangechi Mutu, courtesy of the artist and Gladstone Gallery.

The New Museum brings together over 100 works by the Kenyan artist Wangechi Mutu, who, over the past 25 years, has expanded her practice from jewel-like collages to paintings, film, performance, and large-scale sculpture. Throughout, she’s dealt with themes of globalization, the African diaspora, and the legacies of colonialism, creating Afrofuturist figures that are proudly feminist.

April 

“Simone Leigh,” at the ICA Boston
April 6 – September 4, 2023

Sculpture by Simone Leigh is located in the garden outside of the Arsenale. Photo: Sarah Cascone.

Fresh off her Golden Lion win as the U.S. representative at the 2022 Venice Biennale, Simone Leigh will head to Beantown for what is being billed as the artist’s “first comprehensive survey.” Accompanied by a weighty monograph, the ICA show promises to look back at roughly two decades’ worth of ceramics, sculptures, and other work by Leigh, who has quickly emerged as one of the defining artists of our current era.

“Bruce Onobrakpeya: The Mask and the Cross,” at the High Museum of Art, Atlanta
April 7–July 30, 2023

Bruce Onobrakpeya, Station VII: Jesus falls the second time (1969), linoleum block print on rice paper, High Museum of Art, Atlanta, gift of Mr. George A. Naifeh.

Lauded as the father of Nigerian Modernism, Bruce Onobrakpeya will have his first solo exhibition at an American museum open this spring. The artist’s work explores religious imagery and Nigerian folklore, themes that came to define postcolonial art and culture in Nigeria. 

“Georgia O’Keeffe: To See Takes Time,” at MoMA, New York
April 9–August 12, 2023

Georgia O’Keeffe. Evening Star No.III (1917). Watercolour on paper mounted on board. The Museum of Modern Art, New York. Mr. and Mrs. Donald B. Straus Fund, 1958. Photo: © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York.

The Modernist artist is mainly known for her pastoral paintings of desert flowers and cow skulls, but a new show at MoMA focuses on her abstract works on paper, made with hushed tones in watercolour. The works, viewed as a series, highlight the artist’s compositional sensibilities and penchant for natural shapes. 

“Josh Kline: Project for a New American Century” at the Whitney Museum of American Art
April 19–August 2023

Josh Kline, Adaptation (2019–22), film still. Courtesy of LAXART.

Few artists have contended with the anxieties of the last decade as shrewdly—and humorously—as Josh Kline. Across the artist’s relatively short career, he has imagined commutes in a flooded New York; decked out Teletubbies in riot gear; and used deepfake video technology to depict Bush, Cheney and other War on Terror–era leaders pleading for forgiveness. Many of these works and several new ones will be included in “Project for a New American Century,” Kline’s first museum survey in the U.S.

May

“Karl Lagerfeld: A Line of Beauty,” at the Metropolitan Museum of Art, New York
May 5–July 16, 2023

Fashion designer and creative director of Chanel, Karl Lagerfeld, at the press preview for “Chanel”, an exhibition of the history of the fashion house’s history, at the Metropolitan Museum of Art in New York in 2005. Photo: Stan Honda/AFP/Getty Images.

Three years after the legendary designer’s passing, his legacy lives on as one of fashion’s most influential figures. But did you know that Lagerfeld was also a prolific draftsman? The Met is set to host a dedicated survey of his designs for fashion houses, including Balmain, Patou, Chloé, Fendi, and Chanel, accompanied by original sketches made by Lagerfeld’s hand. 

“Van Gogh and the Avant-Garde: The Modern Landscape,” at the Art Institute of Chicago
May 14–September 4, 2023

Vincent van Gogh, Fishing in Spring, the Pont de Clichy (Asnières) (1887, detail). Collection of the Art Institute of Chicago, gift of Charles Deering McCormick, Brooks McCormick, and the Estate of Roger McCormick.

In yet another angle on the career of the famed Dutch artist, the Art Institute of Chicago takes a look at Vincent van Gogh’s time on the outskirts of Paris, a hot spot for Post-Impressionist artists including Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand from 1882 to 1890. Increasingly industrialized, these suburbs became fertile ground for experimentation using the exaggerated colours and dramatic brushstrokes that characterised the movement. 

“Keith Haring: Art is for Everybody,” at The Broad, Los Angeles
May 27–October 8, 2023

Keith Haring was photographed with one of his paintings in April 1984. Photo: Jack Mitchell/Getty Images.

Believe it or not, Keith Haring has never had a museum show in Los Angeles. The Broad looks to rectify that with this exhibition spanning nearly the entire arc of the street artist’s career, from his studies at New York’s School of Visual Arts to 1988, two years before Haring’s death from AIDS at age 31. The show will mainly be inspired by Haring’s journals and highlight his engagement with pressing social issues, such as nuclear disarmament, Apartheid, and the AIDS crisis. But there will also be interactive elements like a gallery illuminated in black light and set to the sounds of one of Haring’s playlists.